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September 9, 2011

Robby Hoffman: She Doesn't Need (Much) Money, She Just Wants to Make You Laugh
by Unknown - 0

As the seventh of ten children (yeah, that's right, TEN), Montreal comic Robbie Hoffman had (hmmm, what's the best way to put this…) an "accelerated" childhood. As a four-year old, she was changing diapers (no, not her own … gross!). When she was six, she remembers strolling her two-year old sister all alone through the streets of Brooklyn. Coming from a poor family, with nothing outside of herself to offer, Hoffman recognized at a very young age what her gifts were: a big mouth, intelligence and humor, and she quickly learned how to wield them.

By the age of 17, Hoffman was living on her own, working her way through school, taking on any work that she could find, including a stint at McDonald’s, and a dubious telemarketing job. She already knew what she was going to do with her life (by contrast, the author, at 36, is still trying to figure this sh*t out for herself) and that she would some day make a living in comedy. She was also smart enough to know that she needed a solid Plan B. And so she put her comedic aspirations to the side and enrolled herself in an accounting degree program (you know, what all the loquacious, funny kids get into, right?). In 2009, Hoffman graduated McGill with a Bachelor in Commerce, and was immediately hired by a top tier accounting firm.

With "Get an education" and "Land a job with steady income" crossed off of her To Do list, Hoffman began doing stand up a year and a half ago at the age of 23. She started in the indy comedy scene, performing at the occult, smoke filled Comedy Loft (it in itself an interesting story, more on that later ... ). On one occasion, she almost passed out from all of the tobacco fumes (the vodka shots she downed back stage didn't help the situation, either). Here she found a supportive and gracious group of local comics, in a forgiving place where she could learn the art of stand-up.

Today you can find her doing open mics at Montreal's Comedy Nest and Comedy Works and performing her latest one woman show, "Robby Hoffman: Autobiography. So what, you think you're better than me?" at the Montreal Fringe Festival.
At 24, Hoffman has lived a lot of life, and it shows. She comes off more poised, more mature and more grounded than what you'd expect out of someone her chronological age.

Looking back, Hoffman sees, what on paper would be considered a rough childhood, but that is not how she remembers it. The adversity of being poor, being fatherless, being different, gave her an environment to flex her comic muscle, to hone her unique voice. She doesn't remember feeling any stress, she just remembers being happy.

She is still determined as ever to make a living from comedy, but isn't looking for lucrative career. Compared to how she grew up, she has got just about everything that she needs AND she gets to eat out whenever she wants (believe me, this is a BFD, talking to Robby you get the feeling that she was hungry a lot as a kid). She just wants your attention and is going to get it by making you laugh.


For more information on Robby Hoffman, check out her web site at www.robbyhoffman.com.


WICF contributor Kate Conner is a long time comedy nerd, who recently took the plunge onto the stage and into the spot light. Kate can be found performing at a wide variety of different venues including Comedyworks, The Comedy Nest, her living room, and the hospital psych ward. Originally from Minnesota, Kate, her husband and their four kids now live in Montréal.
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September 1, 2011

Sexualized Heckling
by Unknown - 1

This summary is not available. Please click here to view the post.
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August 31, 2011

Catch Your Favorites at This Year's Boston Improv Fest!
by Liz McKeon - 0

Hello, lovely people!

Liz here, chiming in to give a shout out to the 3rd Annual Boston Improv Festival, presented by ImprovBoston, WICF's home theater! BIF starts next Tuesday, Sept. 6, and runs through Sunday, Sept. 11, and features some of your favorite WICF performers, staff, and friends of the fest! Check it out at bostonimprovfest.com.

Battle of the Sexes See Mo Welch at This Year's BIF!


This year's performers include:
Mo Welch
Tari Fanderclai
Laura Clark
The Dowry
Chris Cuddy and Megan Goltermann - OBV!
Rachel Rosenthal - North Coast
Matt Koma
ImprovBoston Family Show After Dark
Harry Roasts America
Jenna O'Brien - Camping With Friends
Erin Petti - Bastards, Inc.

If I've missed any past WICF performers who'll be at this year's BIF, please chime in in the comments, or send me a friendly email at editor@womenincomedyfestival.com!
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When a Friend's Monologue Sounds Like a Confession of Sexual Violence
by Unknown - 3

Part Two of a Three-Part Response to the Status Quo, Diversity and Misogyny in Comedy

Part I: No Offense, White Boys: Diversity in Comedy and the Rapeprov Happening by Pam Victor

Part III: Sexualized Heckling by Barbara Holm


BY WICF Contributor Jen Ducharme

"Are you busy right now?" a friend asked, as she swooped up right next to my desk at work, pale-faced.

"No," I replied, imagining different scenarios (Beyoncé-is-now-un-pregnant-level) in order to prepare myself for an impending shit storm.

Taking a look at her screen, I saw the headline: "Is This Comedy Monologue a Rape Confession?" Our friend, Eric Angell, stood there, monologizing with an unassuming grin. Within minutes, he proceeded to destroy his reputation along with the trust of his peers, and to sadden and disappoint those who love him.

I'm not defending his words; the video was extremely hard to watch and process. It truly is a scary story. Why is he telling this story in a comedic forum, and what the hell is going through his head as he tells it with such glee? And how can this be the same guy who ate my horrible cooking and laughed with me often?

The only thing I can conclude with certainty from watching the video is that he’s an asshole who told an offensive story. Eric has revealed his ignorance about women and sex, as well as basic story-telling elements like tone. I believe and I hope this was a botched attempt to be funny. The fact of the matter is I do not know what truly happened the night he decided to drop by the woman's hotel room.

So as everyone sharpens their pitchforks and gets ready for the witch burning (always better attended than a block party), I grow wary. It’s so easy to vilify someone we don’t know. It’s easy to call him a rapist. It slaps a label onto the whole situation and eliminates the supercreeptasticscary feeling. I see all this anger pouring out like a rousing piece that crashes to a Tchaikovsky-like finish from so many people. What will we solve going after him? When we vilify him, we lose the full context. Which is … what? That he's a bad person? A bad story-teller? A rapist? I don’t know. The truth is less certain than what we would want, but too unsettling to avoid an attempt to name it. Going after him would validate him, and give him too much power — but how do we deal with the very real problem of misogyny, as female improvisers?
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August 29, 2011

No Offense, White Boys: Diversity in Comedy and the Rapeprov Happening
by Unknown - 5

Part One of a Three-Part Response to the Status Quo, Diversity and Misogyny in Comedy

Part II: When a Friend's Monologue Sounds Like a Confession of Sexual Violence by Jen Ducharme

Part III: Sexualized Heckling by Barbara Holm


By WICF Contributor Pam Victor

I started this piece a week or so ago, aiming to write about how important racial, cultural and gender diversity is to the whole improv community, and how vital WICF is to reaching that far-away goal, but to tell you the truth, my interest petered out around the second paragraph. “Too soapboxy,” I muttered as I closed the document. Then the “Rapeprov” story broke, lending renewed vigor to my conviction to state publicly that improvised comedy will benefit enormously, both as an art and a craft, from a greater diversity of people and perspectives on stage. So here are those first two paragraphs, and a couple more to boot. (And, oh, by the way, I totally got the “Rapeprov” moniker from Sharilyn Johnson of www.third-beat.com. Mad props to her.)

Freshly released from the fabulously musty, sweltering audience of the Del Close Marathon, I ponder the highlights of the 15+ hours of improv viewing I'd clocked in. Although there was the usual brilliance of the big players from the major theaters, I have to put my vote on The Jamal as #1 in my highlights reel. The Jamal is an exclusively African-American comedy troupe that performed a loose Armando structure. They were sharp, smart and, of course, extremely funny, but that only got them onto my favorites list. What pushed The Jamal to the top of my list is the refreshing, much needed expansion of the cultural perspective in improv comedy. To be blunt, I can only take so much of the white boy humor that dominates improv. Don’t get your panties in a bunch, white boys. I laughed my ass off at wicked fast improv excellence, all-boy frenzy of UCB’s “Facebook” show at DCM. I sent Paul Scheer a “wish you were here” fan letter. I bow at the feet of both TJ and Dave. I LIKE white boys, but as with anything, in moderation.

I came away from DCM with renewed support for the Women in Comedy Festival as a vital component of the festival circuit and a guiding force in the improv world in general. Improv needs more people of color, and not just with their own troupes but represented amply in as many groups as possible. (And not just in the “the black guy, the woman, and the fat one” token way that is so prevalent.) Improv needs more women. (Duh.) Improv needs more older people (She writes self-servingly.). Improv needs more LBGT performers. (And whatever other letter of the alphabet you identify as.) Improv needs more diversity. Yeah, it’ll be different. Yeah, comedic paths might diverge. Yeah, there might not be as many fart jokes. But the whole improv world will be brought up by an expansion of perspectives. We will all become better players.

When the Rapeprov story broke about the ASSSSCAT show at this year’s DCM, I was relieved that I missed it. I would have gotten a stomachache from watching that guy dig his own fucking bastard fishhooking hole and sympathy nausea for the intrepid performers. But I am buoyed by reaction comments like Hallie Kiefer in Splitsider, who was at the show, “As for how the performers handled it...well, I wish for a million reasons that there would have been at least one woman on that stage.”

Personally, I wish for a million reasons there would have been a half-dozen women on that stage.

Maybe next year …

Badass photo of the bionic Pam Victor,
credit: Megan Brantley.
Pam Victor is the founding member of The Ha-Ha’s (formerly The Ha-Ha Sisterhood). She produces Happier Valley Comedy Shows. Pam writes mostly humorous, mostly true essays and reviews of books, movies and tea on her blog, "My Nephew is a Poodle."
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August 24, 2011

New Podcast Is Up!
by Liz McKeon - 0

Alan Rickman (Dave Sawyer) and Kate Ghiloni join WICF Comedy Podcast host Michelle Barbera to discuss film, theater, and Alan's budding stand-up comedy career under Kate's tutelage. Plus, the premiere of Alan Rickman's open mic performance.

Podcast-y!
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August 5, 2011

Lunch Break: Woman in Comedy Jane Borden on The Leonard Lopate Show!
by Liz McKeon - 0

If you caught Jane Borden's performance at this year's WICF, or were lucky enough to hear her speak at the panel, you know hers is a voice worth listening to. We want to make sure you get to hear her lovely voice again — New Yorkers can hear her today, between 1 PM and 1:20 EDT, on The Leonard Lopate Show, at 93.9 FM or 820 on the AM dial, promoting her book, I Totally Meant to Do That. The rest of us can hear the broadcast online at http://www.wnyc.org/shows/lopate/.

Congrats, Jane!
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