A few months ago one of my favorite up-and-coming young
comedians and three-time WICF performer, Josh Gondelman, opened for comedy legend Steven Wright at the Calvin Theatre in Northampton, MA. I had the opportunity to do a short interview
with them after the show, and a longer telephone interview with Steven Wright
just yesterday.
I’ve heard the expression “Never meet your idols” and that’s
sometimes true (I’m looking at you, unnamed New Yorker cartoonist) but in this
case I couldn’t have been happier to have made the four-plus hour drive to
Northampton and back. As I headed home at 1 am in the driving rain, all I could
do was pump a fist in the air and say, “Worth it!” Both Steven and Josh
couldn’t have been kinder or more generous with their time.
I love a lot of styles of stand up, but Wright’s concise,
absurdist jokes are most in line with — and have been a huge influence on — my
own style. I started out by asking him about his comedy voice:
Steven: I have no rules, this section, that section, I like Andrew Dice Clay, Robert Schimmel, both filthy comedians, and really smart, especially Schimmel. If it’s funny it’s funny. I don’t go for categories.
The late and great Robert Schimmel’s graphic, hilarious, and instructive (gentle, gentlemen) stories about his first sexual encounter. (NSFW)
Michelle: And your voice finds you, right? It’s just what
comes out of you.
Steven: I’m just narrating my brain.
Michelle: Josh, how would you describe
your style?
Josh: I'd call it "friendly."
Michelle: As a young comedian, how is your style
evolving?
Josh: I'm working on moving from being a
short joke writer to being able to nest jokes inside longer stories and sustain
an audience's attention that way. I'm trying to be able to talk about my whole
life in a funny way, too, and not just present things that seem like obvious
jokes.
I missed New England. It’s in me. New England is part of the fabric of me and I wanted to go home.
Michelle: What was it like opening for Steven Wright?
Josh: It was really fun! The crowd was
great, and the Calvin Theater was beautiful. Steven was really nice, and it was
amazing to sit backstage and watch him perform.
Michelle: Is opening a show a different
beast from headlining?
Josh: Opening and closing a show have
different benefits and challenges, for sure. When you open, you've got to get a
crowd ready to hear jokes, plus they've never heard of you, so you have to
prove you're competent. Closing a show, people are there to see -you-, so
there's less to prove up front, but the responsibility of sending people home
happy is more on you.
Michelle: So what is it like to close for Josh?
Steven: I was happy that he allowed me to do that and the
audience liked both of us so it was good.
Michelle: You still live in Boston, right?
Steven: I grew up in
Burlington, went to Boston, went to New York City, LA, New York City, and then
back to Boston.
Michelle: What made you come back to Boston?
Steven: I missed New England. It’s in me. New England is
part of the fabric of me and I wanted to go home.
Michelle: What are your other favorite places that you’ve
lived?
Steven: New York
City. That’s the best. Have fun there, Josh. There’s nothing like New York
City.
Michelle: What do you love about it?
Steven: The energy, the stimulation, all different people.
Food, music, art, there’s just a huge spectrum, and the energy’s incredible.
Michelle: Do you think that’s the place for young comedians
to go?
Steven: For me I started in Boston. I like that I started
not in LA or New York, so I could develop without people watching me and getting
in side of me, and then I went, so I think it’s good to start somewhere else
and then go to these places.
Michelle: Do you feel like Boston is a good place to start?
Is it a welcoming atmosphere?
Steven: It was when I
was in the clubs.
Michelle: What were some of the clubs you were at?
Steven: Comedy Connection (now defunct) was in a different
place and Ding Ho Comedy Club was in Inman Square. Those were the two clubs and
then there were other places that had one thing a night.
Michelle: Josh, how did you find
Boston as a city to start out doing comedy?
If the audience isn't there for comedy, they're not obligated to listen to you. Maybe they just want to drink beer and watch football. Comedy isn't the center of everyone's universe.
Josh: Boston was a great place to start out. There was a great mix of really accomplished headliners like Tony V and Lenny Clarke to learn from, as well as a crop of guys like Joe List and Myq Kaplan who were starting to come into their own. There's a lot of good stage time, and a really supportive and loyal community of comedians.
Michelle: How is New York different?
Any tips for comedians moving there?
Josh: New York is so vast. There are so
many shows, and so many comedians, and it's taken me a little while to figure
out what places I like to hang out at and like to perform at. I'd say if you
move, be prepared to work really hard all the time, because people here have a
really intense and inspiring work ethic for both writing and getting onstage.
Also, I'm still pretty new, so if anyone has tips for me, I'll take those!
Michelle: Who are some of your comedy
influences? Who are some female comedians you admire?
Josh: So many influences! I'm a big
hometown booster, so I love to see people like Bill Burr and Shane Mauss and
Joe Wong who came out of the Boston scene. In terms of female comedians, I
think that Wendy Liebman's joke writing is pretty perfect. And Kelly MacFarland
is just such a dynamic and engaging performer onstage. Gah! So many! I love how
Tig Notaro can work so quietly and really draw the crowd in to her. Maria
Bamford has such a singular comedic voice, which is a thing I really try to
strive for.
Michelle: Do you write everyday? What
are some of your techniques?
Josh: I do write every day. Sometimes
travel makes it difficult, but I try to at least tweak some old jokes or make
notes for something I want to work on. It helps me to write for different
projects, so if I'm burned out on jokes, I'll write an essay or a sketch, and
then I'll come back to standup stuff.
Michelle: What have been your biggest
challenges in stand up?
Josh: It's always frustrating to have
an idea that you think is funny that you just can't get audiences on board
with. Translating my actual thoughts and feelings into jokes is challenging,
but really exciting when I can get it right.
Michelle: Which have been your best
experiences?
Josh: I always love to do shows with
people I like as friends and admire as comedians. When I recorded my CD
("Everything's the Best" out now on Rooftop Comedy Productions and
available on iTunes), I had some of my best friends and favorite people on the
shows with me. Shawn Donovan, Sean Sullivan, Myq Kaplan, Dan Boulger, Erin
Judge, and Gaby Dunn. It was really nice to have people that I really like and
enjoy around on a night that was kind of important for me. My parents and
sister came too, and they're not comedians, but they are terrific.
Michelle: You ran an open mic night on
Boston for a long time. What is your advice to comedians trying to perform for
less than rapt audiences at open mics?
Josh: Don't be too self-deprecating if
it's not going well. Just learn how to be onstage and feel comfortable. If the
audience isn't there for comedy, they're not obligated to listen to you. Maybe
they just want to drink beer and watch football. Comedy isn't the center of
everyone's universe.
 |
| Gabby Dunn (catch her at WICF 2012 in the Stand Up Showcase hosted by Myq Kaplan and Micah Sherman on Saturday) and three-time WICF performer Josh Gondelman, very happily posing with comedy great Steven Wright after the show at the Calvin Theater in Northampton. |
I continued my interview with Steven
Wright more recently by telephone:
Michelle: I went to call you and I realized I had no idea when a good time to call you would be. What is a typical day like for you?
Steven: Reading and exercising and just writing something I write
stuff down all the time the notebooks are all mixed together with serious
thoughts, funny thoughts, play the guitar, hang out with my friends and then a
joke jumps out and and I write it down.
Michelle: Have you ever had a regular office job?
Paula Poundstone. I started with her. I went to see her a couple of weeks ago at the Wilbur and I was stunned. She's a genius. She's absolutely amazing.
Steven: I had jobs in college. I got lucky. I started doing comedy in '79 I was painting dorms, MIT COOP bookstore, then when I started making a little bit of money I just started making a living doing comedy. Back then there were a bunch of clubs in Boston you could make a living just performing in Boston. I don't mean a good living — you could just barely pay your rent. I got lucky. Wen you're in your early twenties and you can pay rent, that's really something.
Michelle: I was really heartened when you took an interest in the
Women in Comedy Festival.
Steven: I like to see people at an early stage of comedy. I know hard
it is and I like to see someone figuring it out. I respect people who put
themselves on the line like that. It's like watching someone walk a tightrope.
It's not just new people. I went to see Don Gavin a couple of weeks ago and he's been doing it for 30 years. I like seeing people
do it, especially because I do it myself. It's like seeing another
baseball team.
Michelle: Who are some female comedians you like?
Steven: Paula Poundstone. I started with her. I went to see her a
couple of weeks ago at the Wilbur and I was stunned. She's a genius. She's
absolutely amazing. She was talking to some people in the audience and she did
almost 30 minutes off the top of her head that was the same level of her act.
She was amazing.
Carol Leifer, Elaine Boosler is an amazing comedian. Wendy Liebman
is great too.
Michelle: You don't go out to clubs to work out new material. How do
you do you develop your new jokes?
Steven: When I'm out touring, I just slide it in. The clubs I
haven't done a while. When I'd put together a five-minute set for TV even that
was material I was familiar with and would assemble it into a set. I'd go to
the clubs to assemble the it.
Michelle: I don't know why it's so weird that I'm talking to Steven
Wright and you sound just like Steven Wright. That shouldn't be weird but it
is.
Steven: [Laughing (yes, people, I made Steven Wright laugh)] I've
gotten versions of that before. Somehow people think that how I talk on stage
is something I'm putting on. What happened was that when I started out, I was
so afraid of being on stage even though I talk like this it was more of a
monotone, it came out afraid in the beginning and then what I do now is a
version of that, but it's just how it comes out. I don't think I'm going on
stage now I have to talk like this [monotone].
Michelle: But you do have a slightly modified version of your speech
on stage. Right now you're more animated than on stage.
Steven: That's true. But it's not something I think about, "now
I'm going on stage, I have talk a certain way", it just come out.
Michelle: You've said in the past that your comedy comes organically
from your thoughts and conversations, rather than sitting down to write, how do
you keep track of and develop your thoughts into jokes?
Steven: It all comes down to kidding around but only some of it's
jokes. Kidding around with your friends, but sometimes a joke will pop out. You
just have to have a sense of humor.
You mentioned Monty Python. I really loved them too. They were surreal, like a Dali painting.
Michelle: Were you always like that? Always kidding around?
Steven: I was funny with my friends in junior high, but my one or two
friends. I wasn't trying to get a whole class of 30 to turn around and laugh.
But I wanted to just kid around and I was funny at doing that. I
realized I wanted to do stand up by watching Johnny Carson. I loved Johnny
Carson, and then the people who would come on, this was around 1970, people
like David Brenner, Bill Cosby, Robert Klein, and of course George Carlin, and
I thought, this is fascinating! These people are just standing there saying
this stuff on stage, and that's when I realized you could do that and I started
to want to do it.
Carlin is tops. When I met him I couldn't believe I was talking to him. He wrote more than any other comedian ever. And he was
so nice and so supportive.
Michelle: He seemed like he was really passionate about comedy and
about what he thought was right and wrong, and that he wasn't a jealous person.
He wanted to see others succeed.
Steven: Yes, he did. He was amazing.
There was a radio show in Boston when I was a kid that would play
comedy albums. Every week on the show the guy would play two comedy albums and
that's where I first heard Woody Allen. To me he's the greatest. You mentioned
Monty Python. I really loved them too. They were surreal, like a Dali painting.
Michelle: You’re also an artist. How long have you been dong art?
Steven: I was drawing since second or third grade, I switched to
abstract stuff in my early twenties. When you draw something real you really
notice the details in things and then later in comedy is based on noticing
things in the world, that's were the comedy in the world. If there was a wine
bottle on a table next to a glass, you want to make it as real as possible,
there's a shape between the bottle and the glass. It took my along time that
there was a shape in between. Really noticing things because you're really
trying to draw them accurately.
Two ideas that have a common denominator that aren't usually
connected.
Michelle: I love that quote!
Steven: With painting, it just hits me I need to paint. Usually it's
just one painting, but last summer I did a bunch. (You can see some of Steven
Wright's work on his website here.) I love the abstract stuff because it
doesn't have to make any sense. It's in your gut and comedy is complete logic.
It's another way of creating where there's no logic. I barely even know
what it is. It's just a feeling.
Michelle: Now that's the technology is so accessible, have you thought
of doing more of your own films or is stand up really where your heart is?
Steven: I want to do more of everything. Comedy is thinking. You
can't stop your brain. I've mostly been doing stand up but I want to do more of
everything.
Michelle: (Amen to that. We all want more of everything from the
mind of Steven Wright. )
Thank you so much Steven, this has truly been an honor.
Steven: Thank you and congratulations on the festival. I'll
definitely try to get something this weekend.
- Josh Gondelman on RooftopComedy.com "Why I Quit Teaching."
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You may see Steven at the Women in Comedy Festival watching the WICF performers out there - putting themselves on the line and walking that comedy tightrope.
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